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Brahms_Johannes_-_8_Lieder_und_Gesange_Op.59_No.4_-_Nachklang

pental

1:49	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	9	8	6	77%
	32	8	12	6	96%
Voice	13	0	3	6	75%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	9	8	6	77%
	32	8	12	6	96%
Voice	13	0	3	6	75%

BLOW, BLOW, THOU WINTER WIND C. Hubert H. Parry

pental

1:18	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	54	12	6	100%
	32	21	15	6	100%
Voice	13	0	3	8	76%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	54	12	6	100%
	32	21	15	6	100%
Voice	13	0	3	8	76%

Brahms_Johannes_-_8_Lieder_and_Songs_Op.58_No.3_-_Die_Sprode

pental

2:18	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	16	8	5	90%
	30	9	8	5	92%
Voice	14	0	6	5	76%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	16	8	5	90%
	30	9	8	5	92%
Voice	14	0	6	5	76%

B. Bartok, For Children, Vol. 1, Nr.9 Song, SZ42

pental

1:42	Est. Play Time
46	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	0	1	4	100%
		14	14	5	2	70%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		9	0	1	4	100%
		14	14	5	2	70%

II. Quem Vidistis Pastores Dicite F. Poulenc

pental

2:25	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
AltoS	15	8	5	7	100%
Tenors	16	0	4	7	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
AltoS	15	8	5	7	100%
Tenors	16	0	4	7	100%
Soprano	15	3	5	7	91%
Basses	13	0	2	6	68%

Brahms_Johannes_-_8_Lieder_und_Gesange_Op.59_No.4_-_Nachklang

pental

1:49	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	9	8	6	77%
	32	8	12	6	96%
Voice	13	0	3	6	75%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	9	8	6	77%
	32	8	12	6	96%
Voice	13	0	3	6	75%

In der Fremde J. Rheinberger

pental

2:42	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavier	26	6	8	6	98%
	15	1	3	5	67%
Stimme	13	0	4	6	89%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klavier	26	6	8	6	98%
	15	1	3	5	67%
Stimme	13	0	4	6	89%

Missa "Au travail suis" Kyrie Johannes Ockeghem

pental

2:32	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	11	0	2	6	92%
Superius	14	0	3	6	92%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	11	2	6	92%
Superius	14	3	6	92%
Tenor	13	1	6	90%
Bassus	13	1	5	69%

III. Videntis Stellam F. Poulenc

pental

2:21	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	17	2	10	5	100%
Soprano	17	2	11	5	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	17	2	10	5	100%
Soprano	17	2	11	5	100%
Tenor	16	2	9	5	100%
Bass	14	2	10	5	60%
	10	0	4	4	19%

B. Bartok, For Children, Vol. 1, Nr.27-Jest, Sz42

pental

1:29	Est. Play Time
53	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		12	6	2	3	78%
		18	11	4	3	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		12	6	2	3	78%
		18	11	4	3	94%

Missa "Au travail suis" Benedictus Johannes Ockeghem

pental

1:34	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassus	13	0	2	6	71%
Tenor	13	0	2	7	68%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassus	13	2	6	71%
Tenor	13	2	7	68%
Superius	9	2	5	50%
Altus	7	0	7	48%

Missa "Au travail suis" Sanctus Johannes Ockeghem

pental

2:08	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Superius	10	0	3	7	82%
Altus	11	0	1	6	78%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Superius	10	3	7	82%
Altus	11	1	6	78%
Bassus	14	2	6	73%
Tenor	9	1	6	67%

4. PILLOW DANCE B. Bartok

pental

1:36	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	1	0	3	57%
		9	0	0	3	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	1	0	3	57%
		9	0	0	3	94%

Cornelius_Peter_-_6_Lieder_Op.5_No.5_-_Zum_Ossa_sprach_der_Pelion

pental

2:22	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	23	10	6	96%
	30	29	14	5	74%
Voice	13	0	5	6	76%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	23	10	6	96%
	30	29	14	5	74%
Voice	13	0	5	6	76%

Hilsen (Gruss) Edard Grieg

pental

1:00	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	39	9	4	100%
	34	26	7	4	92%
Voice	14	0	5	6	73%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	30	39	9	4	100%
	34	26	7	4	92%
Voice	14	0	5	6	73%

Morgen- Richard Strauss op.27 N°4

pental

3:26	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	24	4	7	100%
	26	11	5	7	100%
Voice	11	0	2	7	55%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	24	4	7	100%
	26	11	5	7	100%
Voice	11	0	2	7	55%

Cantabo in Domino in vita mea

pental

3:16	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cantus	13	0	4	7	76%
	13	0	5	6	86%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Cantus	13	4	7	76%
	13	5	6	86%
Altus	11	4	6	80%
	12	3	7	73%
Basis	15	5	6	80%
Bass	14	3	6	71%
Tenor	14	4	6	69%